Go. I cannot bear
To look at you,
So perfect I must throw
The book at you.
Stay. I do not dare
To berate you,
Couched, naked, free, the way
I create you.
(Sebastian Barker)
‘In our time the destiny of man presents its meaning
in political terms.’ (Thomas Mann)
How can I, that girl standing there,
My attention fix
On Roman or on Russian
Or on Spanish politics?
Yet here’s a travelled man that knows
What he talks about,
And there’s a politician
That has read and thought,
And maybe what they say is true
Of war and war’s alarms,
But O that I was young again
And held her in my arms!
(W B Yeats)
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‘Come as my doctor,
Come as my lawyer,
Or come as my agent
(First practise your lies)
For Bristol is a small town
Full of silly gossip
And a girl gets abashed by
Ten thousand staring eyes.’
‘Yes, I’ll come as your lawyer
Or as your god-father,
Or even as Father Christmas? -
Not half a bad disguise -
With a jingle of sleigh bells,
A sack full of crackers
And a big bunch of mistletoe
For you to recognize.’
(Robert Graves)
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The sweet ship Carbonek, with all her crew,
seen through the lines of light,
glimmers now green, now blue,
and spins from sight.
A jewelled ship, the Carbonek flies by,
now in, now out of Time.
Within all glows celestially.
The sounding chime
of every chord that fills Broceliande
marks the coincidence of joy
and stellar destiny. She finds
the marker buoy
that points her path along the starry plane
and caracoles in mirth,
sweeping the mile-long flames in train
around the Earth.
The Carbonek has golden hosts on board:
some feast, some laugh, some weep.
Circling the Earth she turns again toward
the outer deep.
(K V Bailey)
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All saints revile her, and all sober men
Ruled by the God Apollo’s golden mean -
In scorn of which we sailed to find her
In distant regions likeliest to hold her
Whom we desired above all things to know,
Sister of the mirage and echo.
It was a virtue not to stay,
To go our headstrong and heroic way
Seeking her out at the volcano’s head,
Among pack ice or where the track had faded
Beyond the cavern of the seven sleepers:
Whose broad high brow was white as any leper’s,
Whose eyes were blue, with rowan-berry lips,
With hair curled honey-coloured to white hips.
Green sap of spring in the young wood a-stir
Will celebrate the Mountain Mother,
And every song-bird shout awhile for her;
But we are gifted, even in November
Rawest of seasons, with so huge a sense
Of her nakedly worn magnificence
We forget cruelty and past betrayal,
Heedless of where the next bright bolt might fall.
(Robert Graves)
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Sometimes.
Only sometimes mind you,
when the streets are quiet in
that hazy half-hour before supper.
And a late summer’s sun pulls a
curtain of reds across the far sky.
Only then when no-one can see
I slow my hurried stride, and nipping
my eyelids closer together peer into
a new world.
The light shower of but a few moments
ago burnishing the houses and paths.
High rise flats doubt my existence
and glare down on me with multi
bloodshot eyes.
A strange landscape prevails in these
darker rays of Sol, slashes of black
cloud gape across the heavens like
festering wounds.
They are bloodless, these rents in the
fabric of space.
It is I that wades through an almost
invisible gleaming gore.
Barsoomian flagstones hide a multitude
of creatures from sight, only pathetic
shapes resting upon four discs litter my
gaze; are these a challenge to my manhood.
No! Only an insult to my stunted imagination.
Who am I to arrive home,
wipe my thoughts from my feet.
And when asked ‘What are you thinking?’
answer ‘Nothing’.
‘Nothing important.’
(P E Presford)
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This dead world never lived; barren of sound
Dust lay unstirring from the first of time.
Only the shattered light splinters the ground,
Only the grave-cold shadows creep and climb.
Here mountains bare their sharp white fangs and grin
Impotent greed against the abysmal train
Of stars like lances, needle-fine and thin,
Tipp’d with blue fire to slay my shrinking brain.
Silent the rocks flow in a hell of heat,
Ever the sun stares, like a madman’s eye;
Blinding the red veins in my vision beat -
My soul, O Life, might I but hear my cry!
Here should the shades of dead and hopeless men
Dwell, and in anguish die their deaths again.
(Marion F Eadie)
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I who am dead a thousand years
And wrote this crabbed post-classic screed
Transmit it to you – though with doubts
That you possess the skill to read,
Who, with your pink, mutated eyes,
Crouched in the radioactive swamp,
Beneath a leaking shelter, scan
These lines beside a flickering lamp;
Or in some plastic paradise
Of pointless gadgets, if you dwell,
And finding all your wants supplied
Do not suspect it may be Hell.
But does our art of words survive -
Do bards within that swamp rehearse
Tales of the twentieth century,
Nostalgic, in rude epic verse?
Or do computers churn it out -
In lieu of songs of War and Love,
Neat slogans by the State endorsed
And prayers to Them, who sit above?
How shall we conquer? – all our pride
Fades like a summer sunset’s glow:
Who will read me when I am gone -
For who reads Elroy Flecker now?
Unless , dear poet, you were born,
Like me, a deal behind your time,
There is no reason you should read,
And much less understand, this rhyme.
(John Heath Stubbs)
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I who am dead a thousand years,
And wrote this sweet archaic song,
Send you my words for messengers
The way I shall not pass along.
I care not if you bridge the seas,
Or ride secure the cruel sky,
Or build consummate palaces
Of metal or of masonry.
But have you wine and music still,
And statues and a bright-eyed love,
And foolish thoughts of good and ill,
And prayers to them who sit above?
How shall we conquer? Like a wind
That falls at eve our fancies blow,
And old Maeonides the blind
Said it three thousand years ago.
O friend unseen, unborn, unknown,
Student of our sweet English tongue,
Read out my words at night, alone:
I was a poet, I was young.
Since I can never see your face,
And never shake you by the hand,
I send my soul through time and space
To greet you. You will understand.
(James Elroy Flecker)
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